Kenya (Robinson)’s work was not only featured in the 2018 Florida Prize in Contemporary Art exhibition at the Orlando Museum of Art… she also took home the top prize for this year’s event. I was so moved by the messages in her work – commentaries on the corporate nature of life, the consumerist qualities of race and the idea of everyday false facades are made even more profound by her viciously creative artistic execution. Her repeated use of the white plastic executive (“Dave Fowler” or #WHITEMANINMYPOCKET) and the metallic briefcases drive home the idea of corporate control over every part of human existence, becoming haunting symbols of the powerlessness of the routine and mundane.
Please enjoy a brief excerpt from her artist statement…
In “Eight Days a Week, (Corporate Karma/Deal or No Deal),” she presents the briefcase as a McGuffin instrument used to package various examples of ready-made, accepted whiteness. Bridal flowers, amber prescription bottles, gun shells, a manicured lawn with a matching picket fence, plastic pearls (when the world is your oyster), raffle tickets – each of these is a wedge in the mandala of attache.
For more information on Kenya (Robinson), consider following her on Instagram (kenya9) or visit her blog at…