The Art of “Hannibal” – Part 1

On June 1st one of the most fascinating and mesmerizing shows ever produced for television became available for streaming on Netflix.  Hannibal is a reimagined exploration of the Lecter mythology created by author Thomas Harris.  Showrunner, Bryan Fuller, creates a three-season experience that retells the story of Hannibal Lecter as an investigation into complex human relationships and the power of empathy… or the complete lack thereof.

Originally debuting in 2013, this show became my obsession.  I was perpetually amazed that an extremely dark drama about a serial killer (and his elaborate death tableaus) was airing on NBC and was in constant fear of its cancellation.  That said, the three years (39 episodes) of storytelling that exist tell a tale of love, friendship and horror that is hauntingly beautiful in its darkness.

***Spoiler Alert***

In the first half of season three, Hannibal Lecter is living in Florence, Italy under dubious circumstances.  During this period, Lecter’s death tableaus are influenced by his love of Botticelli, and more specifically, his epic metaphor for the Renaissance, “Primavera.”

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